Shinzo Maeda was born in 1922 in Shimo-Ongata, Hachioji City, Tokyo. In 1948 he was employed by Nichimen Co., Ltd., and worked there for the next 17 years. In 1967 he founded Tankei Photo Agency Co., Ltd., and becomes it's representative and a professional photographer. His personal style of landscape photography won him a number of major awards in his lifetime, including the top prize of the Japan Photographers Association. Before his death in 1998, he published forty-six photo books in Japan, and eight in other countries. Publications 1974 The Four Seasons of a Home Town , The Mainichi Newspapers 1976 The Colors of Japan , Ryoko Yomiuri Publishing Co. Mountains and Rivers of a Home Town , The Mainichi Nwespapers 1977 The Moment of Encounter , The Mainichi Newspapers 1978 Spring, Summer, Autumn and Winter , Kokusai Johosha Publishing Co. ($400) 1981 Hokkaido - Poetry of the Earth , Shueisha Publishing Co. 1982 Scenes from Nature , Hoikusha Publishing Co. 1983 A...
From Wikipedia:- The term man (sometimes capitalized as Man) (from Proto-Germanic mannaz "man, person") and words derived from it can designate any or even all of the human race regardless of their gender or age. This is indeed the oldest usage of "man". The word developed into Old English man, mann "human being, person," (cf. also German Mann, Old Norse maðr, Gothic manna "man").
Here is the original article (that I did not write by the way). The term "solarization" is often used mistakenly to describe the "Sabattier Effect". In actuality, solarization is an increase in the exposure of a film to light or radiant energy by 10 to 1000 times the normal amount of exposure (4 to 10 f/stops) which leads to the film becoming lighter rather than darker. In general, there is little or no practical use for this phenomenon in and of itself, although a strong bump in exposure does play a role in the Sabattier Effect. Solarization was mentioned by Louis Daguerre at least as early as 1831, though not by that term. The Sabattier Effect results in a partial or complete reversal of image tones on either film or paper emulsion, as well as distinctive outlines (known as Mackie lines, after Alexander Mackie who first described them) which border adjacent highlight and shadow areas. It was first discovered in 1862 by Armand Sabattier as a result o...
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