Something lurks in the otherwise pristine landscape





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Vintage 80s: London Street Photography by Johnny Stiletto

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Vintage 80s: Life on the streets Comments Time passes and society and places change, yet we often don't notice or overlook the visual clues we see everyday. But, by always carrying a camera and recording those daily encounters, Johnny Stiletto managed to capture a very personal view of life on the streets of London in the 1980s. Those of you who follow this blog may remember a post on Johnny Stiletto's book, Shots from the Hip back in 2009; well now there's a new collection of his work, a book entitled Vintage 80s which brings together about 160 street shots. Johnny Stiletto: "Little boy and a Rolls Royce. On the corner of Berkeley Square and Bruton Street at Jack Barclay's they sell velvet collar dreams." As before though, the photographs are interspersed with his comments and thoughts on the moment, or the wider situation. His work links together the news events of the time with the personal. To me they seem like frames from black an...
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Shinzo Maeda

Shinzo Maeda was born in 1922 in Shimo-Ongata, Hachioji City, Tokyo. In 1948 he was employed by Nichimen Co., Ltd., and worked there for the next 17 years. In 1967 he founded Tankei Photo Agency Co., Ltd., and becomes it's representative and a professional photographer. His personal style of landscape photography won him a number of major awards in his lifetime, including the top prize of the Japan Photographers Association. Before his death in 1998, he published forty-six photo books in Japan, and eight in other countries. Publications 1974 The Four Seasons of a Home Town , The Mainichi Newspapers 1976 The Colors of Japan , Ryoko Yomiuri Publishing Co.   Mountains and Rivers of a Home Town , The Mainichi Nwespapers 1977 The Moment of Encounter , The Mainichi Newspapers 1978 Spring, Summer, Autumn and Winter , Kokusai Johosha Publishing Co. ($400) 1981 Hokkaido - Poetry of the Earth , Shueisha Publishing Co. 1982 Scenes from Nature , Hoikusha Publishing Co. 1983 A...
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I Guess I am a Remodernist or Stuckist?

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